History of St. Luke’s
Our Story: From "Mud Lane" to Battersea Landmark. Before the red bricks of St. Luke’s rose above Nightingale Lane, this was a land of rural mansions and "Mud Lane" tracks. Our church was born out of a vision to serve a growing London, built with global materials and local devotion.
This page is put together from 'St Luke's Battersea - a Short History of the Church and Parish' by Gordon Huelin.
Explore the artwork of St. Luke’s
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The handsome chancel screen (1894) is made of alabaster from Tutbury, Derbyshire. The pillars represent a “United Nations” of stone: red marble from Verona, pale yellow from Siena, soft red from Turkey, and green from the Greek Archipelago. Look closely at the top- those balls are made of Indian agate.
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In 1891, the beautiful mosaic panel by Salviati of Venice was added. It represents the symbolical winged bull of St. Luke. This was part of a major era of growth that included the addition of the Parish Hall and the iconic north-west tower.
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In 1903, the church received a “unique Christmas present” of electric light. The designs are world-class: the nave lights are based on a jewel in the Pitti Palace, Florence; the chancel lights are inspired by Fra Angelico paintings; and the lady chapel lamp is a reproduction from Milan Cathedral.
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The white alabaster angel lectern was a gift in 1901. Other treasures include the white marble Cross (a copy of an ancient Roman design) and the bronze candelabra cast from an original by Giovanni da Bologna.
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Built and installed in 1905, our organ comes from one of the absolute golden eras of British craftsmanship. Its creator, Thomas Christopher Lewis, was legendary for rejecting the popular Victorian trend of making organs sound like loud brass bands. Instead, he took inspiration from the great romantic churches of Germany and France, building instruments famed for their exceptionally warm, bright, and "bell-like" clarity of sound.
Having a genuine Lewis & Co. organ is incredibly special. For those who aren't familiar with organ history, it is the musical equivalent of having a Stradivarius violin or a Steinway grand piano sitting in our church.
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In 1906 the mosaics round the apse were given by Mr. Clifford Brookes in memory of his daughter.